The Piano Concerto In A Minor, Op. At the end of the exposition (in the codetta), the cello is given a long dominant pedal from bars 73-84. Watch as they overcome their jealousies and try to make their relationship work. 137 0 obj xref However, Schumann also moves us through some other keys. Notwithstanding the change in her condition (which she had initially discovered in early April, just two months after the birth of her previous child) recorded in the Schumann household diary for that date, she played a public concert the next day. The amount of items that can be exported at once is similarly restricted as the full export. She recapitulates her secondary material in G major, before returning to G minor for a dramatic coda. Op. London Symphony Orchestra 196K subscribers Subscribe 34K views 5 years ago A-level seminars LSO Animateur Rachel Leach and LSO musicians analyse and perform the first movement of Clara. Clara Schumann was an experienced, admired performer in the cutthroat world of acclaimed piano virtuososand this formidable, imaginative closing movement . The second subject should be in the tonic key or the tonic major. 0000003274 00000 n This paper traces the musical development of pianist and composer Clara Schumann (1819-1896) leading to the composition of the Piano Trio, Op. 63, written the following year. In the middle of movement all three parts play dotted rhythms, which contribute to the contrast of the emotion of the piece. JavaScript is disabled for your browser. This study demonstrates that Engelmann and Clara Schumann. 17, of 1846 holds a contested place in the nineteenth-century repertory. There are some bigger leaps, however, such as the octave leap in bar 6. Clara varies it in an extraordinary episode in A minor, and she references other material from the previous movements as well. (from the liner notes to the recording by Kenneth Slowik, 2010), Smithsonian Chamber Music Society The second of Schumann's three piano sonatas, the G minor Op 22, begins Fabian Mller's recital disc for Berlin Classics, Passionato. 0000001530 00000 n Some features of this site may not work without it. They are VERY important though! past masters and of the new romantic sound. 0000027176 00000 n Following her mother's departure from the family home, Clara, aged four, had been taught piano, music theory and composition by her father alone. Her husband Robert Schumann was extremely ill. The export option will allow you to export the current search results of the entered query to a file. There is an accent on the first beat of bar 47. In March of 1846, Robert had experienced a temporary relapse of his illness and depression of the previous two years, during which, he reported, there were times when he had not really been able to abide music for quite a while, as it cuts into my nerves as if with knives, a sorry state indeed for a man his doctor described as addicted to his one usualone and only!occupation, composing. (Despite his investment of time in this activity, the substantial income Robert eventually realized from the ongoing sale of his compositions began to arrive only in 1849.) If you're not familiar with Clara Schumann's music, this collection of solo and chamber works provides an excellent and inexpensive overview. [4] Throughout the movement, each instrument has its own soloist moment on top of an exceptional balance between three instruments. However, in contrast to 2a, it consists of much shorter, livelier quavers. [1], The 2nd movement consists of three sections; Scherzo, Trio, and Scherzo. A rather detailed dissection of everything you need to know for A Level music: Schumann Piano Trio, from texture and dynamics to tonality and context. 17 by Clara Schumann. %%EOF 0000013132 00000 n In 1839, Robert Schumann heralded the appearance of the D minor opus 49 piano trio of Felix Mendelssohn by naming it the most masterly trio of the present era, just as, in their times, were the B-flat [Archduke] and D major [Ghost] trios of Beethoven and that of Schubert in E-flat major. 11, Clara Schumann: Piano Trio in G minor; Camille Saint-Sans: Piano Trio in F major. She was devoted to him and ardently promoted his work. The second subject should be in the relative major. Soon after, the violin takes over the theme. <>/Border[0 0 0]/Rect[403.476 617.094 549.0 629.106]/Subtype/Link/Type/Annot>> 138 0 obj 17; Robert Schumann: Piano Trio in D minor, Op. Considering this, Claras This paper traces the musical development of pianist and composer Clara Schumann (1819-1896) leading to the composition of the Piano Trio, Op. endobj endobj Clara Schumann: Piano Trio in G Minor, Op.17 Strand: Instrumental music 1. 0 Modulations are made between the parallel major/minor of G in the A section. She completed it in 1846, during the Romantic period, and she wrote it for piano, violin and cello. We can therefore find it on that lifesaver of a website, IMSLP. For A Level we only study the first movement of the trio, although it has four movements in total. Because this paper discusses Clara Schu- However, she was a talented composer in her own right fairly obviously, otherwise we wouldnt be studying her for A Level! You can hear examples in the violin part of bars 9-10 and the cello part of bar 11. 173 0 obj <>/Border[0 0 0]/Rect[81.0 617.094 247.02 629.106]/Subtype/Link/Type/Annot>> She made her piano debut at 11 and began her Piano Concerto in A Minor when she was 14. Using this guide to Clara Schumanns Piano Trio in G minor, you can boost your grades with as little effort as possible! Your email address will not be published. Robert attempted suicide in 1854 and spent the last two and a half years of his life in a sanatorium in Endenich, a suburb of Bonn. (an Im tentatively assuming most of the people reading this will already have the A Level Anthology of Music recommended by Edexcel. He recognized Schumann's talent at a very young age and began giving her daily one-hour lessons in piano, violin, singing, theory, harmony, composition, and counterpoint. <>stream P.O. As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. worthy of performance consideration today. Brahms: Double Concerto; Clara Schumann: Piano Trio, Clara Schumann: Piano Trio; Fanny Mendelssohn: Piano Trios; String Quartet, The Leipzig Circle, Vol. Reading alone will not help you absorb this information! Theirs was a passionate relationship, with music at the center of their lives. Thats actually something called, During the development the violin and cello frequently use, The use of imitation and dialogue automatically pushes us towards, In the first two beats of bar 11 the piano plays a, In the second two beats of bar 11 (yep, its a busy bar!) Like Robert, Clara here maintains a thick sound, but it's because all three instruments are playing contrapuntally much of the time, not because one is essentially doubling another's part, as was often the case with Robert. A year after the composition of her piano trio, Robert composed his first piano trio, op.63. Like the finale of Roberts Quintet, it mixes sonata and rondo elements. Schumann uses lots of typically Romantic chromaticism throughout this movement. Schumann uses lots of interesting, harmonically rich chords throughout the movement. No crystal-ball required to predict our best-selling title of February - John Wilson's second album of English music for strings (featuring Howells's Concerto for string orchestra, Vaughan Williams's Fantasia on a Theme by Thomas Tallis, Elgar's Introduction & Allegro and Delius . %PDF-1.5 140 0 obj xXo #"-,~3? Clara Schumann's Piano Trio, Op. Subscribe to our Newsletter Give to the Libraries The University of Texas at Austin Unexpectedly, Schumann's imagination flags somewhat in the routine harmonization of the Andante; these could be the bland chords in 3/4 time underlying any Victorian parlor song. As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. 17; Robert Schumann: Trio in D minor, Op. <>stream The first year of our marriage you shall forget the artist, you shall live only for yourself and your house and your husband. For this recording, the Castle Trio used a parallel-strung J. Its main melody is subtly related to the main theme of the first movement and polyphonically pliable. Grace Williams: Violin Sonata. She completed it in 1846, during the Romantic period, and she wrote it for piano, violin and cello . . It is a beautiful composition that years from now will delight our grandchildren and great-grandchildren. Schumann did not err in this assessment, for Mendelssohns D minor work hascontinued to occupy a favored spot in the trio repertoire, far surpassing in popularity his C minor trio of some six years later. main melodic interest alternates between the violin and the right hand of the piano violin and cello are active for most of the time but occasionally, they rest simultaneously (bar 59) where a linking passage in the piano re establishes the tempo after a poco rit the violin alone presents a melody with piano accomp (as in bars 1-8) 2:8g\UA hk U@|cw;3>eLce81eVy 1 in G minor, Op. 63, written the following year. As Nancy Reich observes in her ground-breaking biography of the virtuosa, Clara Schumann: The Artist and the Woman: Once she realized that wet nurses were available, that the baby could be boarded with relatives, that an additional maid could be hired for a pittance, that motherhood did not necessarily tie her down, she wasted no time. 0000006011 00000 n However, we are back in G minor by bar 250. At the time of publication of Mendelssohns Op. Clara puts her Bach studies to use in the development section, a confident excursion into counterpoint, and uses a scholarly and controlled approach to a section that other composers of the time dealt with more freely, even sloppily. Her Ultimate Guide to A Level Music: Eleanor Rigby, Ultimate Guide to A Level Music: Tomorrow Never Knows. 1b acts as the answer to 1as question. Here are some other interesting points in the music: There is wide dynamic range to be found in this movement. endobj I have tried to make all this information as concise as possible so you can get the best value for your time spent reading. This backward glance is then transformed into the bounding, red-blooded main theme of the finale. 0000003523 00000 n The first subject group should be in the tonic key. Heres a breakdown of each of the themes: 1a acts as a musical question. Thanks to her constant touring, which almost always included performances of her own music, Clara was probably a better-known composer than Robert when they married. I bit my lip before replying. 54, is the only piano concerto written by Schumann and one of the most intimate of his large-scale works. His wife Clara observed that, "The piano is so. Schumann is mindful of the Italian origin of the word "scherzo," meaning jest; this is a lighthearted piece, not the powerful, imposing fast movement preferred by Beethoven and his followers. After Robert wrote his trios, Clara lost confidence in hers, but Brahms was one of many others who also played the work. 105; etc. stream This acts as dominant preparation and clearly grounds us in Bb major. 49, Schumann was twenty-nine, and embroiled in an effort to marry twenty-year-old Clara Wieck, whose career as a concert pianist was already firmly established. endobj You can really tell that she was a pianist though - it has by far the most prominent and difficult part! [1] The melody is often played by the violin, while the cello accompanies the melody through pizzicato as the piano plays chords. There is a lot of high register playing for the cello which is accompanied with a counter melody in the violin. 0000007951 00000 n 0000004245 00000 n Struggling to revise for A level music: Schumann Piano Trio, and not sure where to start? . It is seen that Clara's trio has had great influences on Robert's trio as they both share many interesting similarities. keller james m 1953. piano trio no 2 brahms. This CD presents two of the finest chamber works by Clara and Robert Schumann, whose sixteen-year-long marriage was the commingling of the shared musical experience, complimentary creative requirements, and physical and emotional dependencies of two of Germanys finest Romantic-era musicians. Digital access to this material is made possible by the University Libraries, University of Arizona. [4], The overall key of this movement is G Minor, with a lot of modulation both to closer and more distant keys. The Smithsonian Chamber Music Society is a program of the National Museum of American History, Happily, Claras trio was well received in its initial private performances, which may well have prompted the trio thoughts Robert recorded having near the beginning of June of 1847. Luckily, there arent too many things to say about rhythm. Tavola-Tecla Trio concert (Albert Bergen (violin), Karen Sunabacka (cello), Darryl Friesen (piano)) Emmanuel Mennonite Church. Russian Piano Music Andor Pinter 2013-01-16 This collection of 44 pieces spotlights . traits that conform to the standards of the nineteenth century piano trio but also Clara was already well known as a piano virtuoso when she married Robert. If not, here is a link to where you can buy it. in the development of concerts. He published it anonymously as "Pianoforte Sonata, dedicated to Clara by Florestan and Eusebius". The Trio, though, plays across-the-bar metrical games and has a very expansive, Beethovenian transition back to the main music. Like her to contemporaries, the virtuosi Anton Rubinstein and Sigismond Thalberg, Clara Schumann was a gifted pianist and one of the leading musicians of her day. Clara Josephine Schumann ([klaa uman]; ne Wieck; 13 September 1819 - 20 May 1896) was a German pianist, composer, and piano teacher.Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic . During the 1845-1846 season, pregnant with her fourth child, Clara was unable to tour as a concert pianist and so stayed home and put her new contrapuntal skills to work in a piano trio. 143 0 obj The beginning of 1c (i.e. history of the piano trio as a genre, and compositional features of her trio shed November 2013: Piano Trio in G minor, op. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet. contemporaries. The second subject is in G major, the tonic major. However, if you are lucky, you can find a second hand one on amazon or ebay. endobj Schumanns musical education and opportunities for composition paralleled that <>/ExtGState<>/XObject<>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI] >>/MediaBox[ 0 0 612 792] /Contents 4 0 R/Group<>/Tabs/S/StructParents 0>> )8?H? Clara Schumann About this Piece Robert's own story had no such ending, as the Dsseldorf situation and his health - physical and mental - deteriorated together. Even so, the composer never relaxes the music's lyrical urgency. By all accounts, the marriage was extremely felicitous at first, though Clara confided to her diary some nine months into her life as Frau Schumann (and six months into the first of her eight pregnancies prior to Roberts 1856 death) that my piano playing is falling behind. Written in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann was her only piano trio[1] and was composed during her stay in Dresden 1845-1846. B. Streicher piano of 1846 from the Frederick Historic Piano Collection in conjunction with a 1670 violin by Andrea Guarneri and a cello by Carlo Antonio Testore, ca. Over the next ten days, the Schumann household books repeatedly testify to Schumanns joy with his progress on the trio, the sketch of which was finished on 16 June. (Roberts own G-minor Piano Trio would be composed in 1851.) endobj 17, Movement 1 Support Guide", International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Piano_Trio_(Clara_Schumann)&oldid=1072054408, This page was last edited on 15 February 2022, at 18:42. The mood of 1c is a sudden shift from the music beforehand, using dotted notes and staccato articulation to establish a more angry, almost aggressive tone. A selected listening discography lists startxref However, there are some different textures throughout. Clara Schumann was a well-rounded professional musician of the highest caliber anchored in an outstanding education directed by her father that included piano, violin, theory, harmony, orchestration, counterpoint, fugue and composition with some of the finest teachers throughout Germany. Piano virtuososand this formidable, imaginative closing movement is similarly restricted as the full export minor you. 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This material is made possible by the University Libraries, University of Arizona a pianist though - has! Trio as they both share many interesting similarities material from the previous movements as.... Clara by Florestan and Eusebius & quot ; Pianoforte sonata, dedicated to Clara by Florestan Eusebius... Some different textures throughout recommended by Edexcel and has a very expansive, Beethovenian transition back to the main of. Each of the exposition ( in the a section between three instruments melody in the tonic key or the key! Acclaimed piano virtuososand this formidable, imaginative closing movement 1a acts as a musical question formidable!
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