Despite the title, Bacon stated that the painting did not directly relate to the crucifixion. The modern practice of fixing backing boards on paintings means that, even when granted privileged access to works, it is not always possible to inspect the reverse side. The mood and tone of the painting, however, is consistent with the agonized spirit of the Furies' legend. Our website requires JavaScript and some features will not function properly without it. 2015-26 Jul. 15, p. 40 (right panel), No. [38] In 1984, the broadcaster Melvyn Bragg confronted Bacon with a reproduction of the centre panel during the filming of a South Bank Show documentary, and observed that in his earlier career the artist seemed preoccupied with the physicality of the human mouth. 1990-28 Aug. 1990. Three Studies for A Crucifixion is a work by Hughie O'Donoghue. The figures occupy a smaller proportion of the canvas than those of the 1944 version, a device which, according to the Tate Gallery's catalogue, "plung[es] them into a deep void".[52]. 1944) by Francis Bacon is a pivotal work in the artist’s career, that is widely considered as Bacon’s first mature piece. This small triptych contained the seed of what would become his first large-scale triptych, Three Studies for a Crucifixion. 54, 55 (centre panel, detail), Francis Bacon: His Life and Violent Times, Venice: Museo Correr "[41], The Passion of Christ became a central concern during the early development of Bacon's work, and he returned to the subject throughout his career. [28] They are traditionally depicted as ancient chthonic deities preoccupied with avenging patricide and matricide by hunting down and killing violent criminals. "[42] While Three Studies may have begun as an attempt to directly represent the Crucifixion scene, his explorations led him towards "something completely different". 24 May. The area below the head is thickly coated with white and orange paint, while the inspection exposes a series of underlying curved brushstrokes used to compose a landscape, and a small distant reclining figure. The early publications of John Russell and David Sylvester open with the 1944 triptych, and Bacon insisted to his death that no retrospective should feature paintings pre-dating 1944. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters. Moreover, if, Robert Melville, reviewing the 1964 Alley/Rothenstein catalogue raisonné in, ''Francis Bacon' Tate Britain 11 September 2008-4 January 2009 (and two publications)', ''Lost' Bacon painting expected to fetch £1.5m', 'A British Outsider Embraced With a French Blockbuster', 'A Course of Severe and Arduous Trials': Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland, 'A Magnificent Mischief-Maker: To be in Francis Bacon's company was to be dazzled and confused, seduced and stunned', 'A Note on the Development of Francis Bacon's Painting', 'A Trail of Human Presence: On Some Early Paintings of Francis Bacon', 'Ambivalent Homecomings: Louis le Brocquy, Francis Bacon and the Mechanics of Canonization', 'Another Look at Bacon: Newfound Canvases Shed More Light on a Master', 'Apparitions of evil: Mr. Francis Bacon's new paintings', 'Art Dispatch from Europe: Düsseldorf. 11 Sep. 1962-14 Oct. 1962, Zürich: Kunsthaus Zürich 1972-7 May. It was neither whimsical nor accidental that he called so many of them ‘Study for…’: he was being not so much tentative as open-ended. Davies, Hugh; Yard, Sally. “I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime,” he once said. 84, unpaged (fold-out), pp. Triptych: Each panel: 78 x 57 in. Bacon destroyed many hundreds of paintings. ', 'Bacon painting settles £680,000 tax demand', 'Bacon papal portrait sells for record £14m', 'Bacon record tops £3.9m on a British night out', 'Bacon wanted to bin these 'bits and bobs' - last night they sold for £1.1m', 'Bacon's bleak look at the business of growing old', 'Bacon's rare portraits of female lover go to auction', 'Bacon's works on despair fetch six figures', 'Bacon, White, de Maistre and a reds-topped desk', 'Beaux Arts Gallery: studies of movement with Mr. Wirth-Miller', 'Best of British Bacon in Russian art show', 'Bring Bacon home: The art world continues to neglect our native genius', 'Brushes with the soldiery of the canvas', 'Classic Bacon: Triptych could fetch record £35m', 'Current and Forthcoming Exhibitions: London', 'Current and Forthcoming Exhibitions: Switzerland', 'Current shows and comments: "If winter comes..."', 'Current shows and comments: A bit of chiffon', 'Current shows and comments: On the significance of a word', 'Current shows and comments: The Dark is Light Enough: Francis Bacon at the Marlborough', 'Current shows and comments: The academic challenge', 'Deleuze, Gilles. 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