[28] Rolling Stone noted that in concert the song "draws its power from a deeper well, palpably accelerating with pensive desperation as Danny Federici's sorrowful organ clouds over Roy Bittan's ballerina piano figure. [19] Springsteen paints "a harrowing portrait of the toll depression takes" on the woman, but the protagonist is at least mature enough to realize he has to augment the challenges he takes on the street with the role of not letting the woman face her demons alone. [17] Unfortunately, however, as the 396 engine is a big-block, and the 'Fuelie heads' refer to the 1963-65 fuel-injected small-block Chevrolet engine, the cylinder heads are incompatible. "[11] Both the album's title track "Darkness on the Edge of Town" and "Racing in the Street", which is similarly set physically and which close the two album sides, are influenced by film noir, which further set the mood of the record. [7] But the song is one of a number of Springsteen songs from the 1970s, such as "Born to Run" and "Thunder Road", that celebrate American men's desire for freedom from responsibility, as symbolized by the ability to drive to freedom in a fast car. These versions were often nine minutes long, with audiences cheering in anticipation of the coda. [5] Indeed, writer Jim Cullen sees as one of Springsteen's goals with the song to comment upon and reconnect certain elements of rock history. For racing in the street We take all the action we can meet And we cover all the north east state When the strip shuts down we run 'em in the street From the fire roads to the interstate Some guys they just give up living And start dying little by little, piece by piece Some guys come home from work and wash up And go racing in the street A live version of the song from the tour, recorded in 1981 at Meadowlands Arena in New Jersey, was included on the 1986 box set Live/1975–85. [21], William Gibson, "noir prophet" of the cyberpunk subgenre of science fiction, said in 2010 that "Racing in the Streets" had everything to do with the hacker Bobby Quine from Gibson's 1982 short story "Burning Chrome" and what he did for a living. [31] Other artists who have covered the song include Emmylou Harris on her 1982 live album Last Date and Queen's Roger Taylor on his 1984 solo album Strange Frontier. [5] Subsequently, guitars enter almost unheard, with soft, high-pitched figures adding overtones against the keyboard parts. [18] Rock has always had songs where women are won and lost as trophies in contests, but Springsteen treats that theme with much more compassion than usual in the genre. [14] Then the song was played, but the coda's ending was routed into Springsteen telling the conclusion of the story, with the couple packing their bags and leaving for an unknown destination, after which Springsteen walked off the stage while the coda resumed for one time around. For the Promise version, David Lindley's violin was overdubbed in 2010; the rest of the recording was vintage 1977, including Springsteen's vocal. [22], Springsteen biographer Dave Marsh has called the song "the line of demarcation separating casual Springsteen fans from the fanatics," with the former considering it yet another sign of Springsteen's car metaphor obsession taken to an extreme, while the latter consider it "maybe the best thing Springsteen has to give. [5] Rolling Stone's David Fricke echoes this view, saying it is "Springsteen's grim Darkness portrait of a generation racing to a dead end. In the final verse, the woman's "pretty dress" is torn, not her "pretty dreams". That song is a declaration of what the protagonist and his girlfriend are going to do; "Racing in the Street" is the reality of how they might end up. This began the practice of the band playing a much longer coda part after the lyrical section concluded. Bruce Springsteen - Racing in the street (Lyrics) - YouTube According to a song list from May 1977, included in the notebook provided with "The Promise: The Darkness On The Edge of Town Story" box set, it was one of the "new songs" for his next album. [9] Instead, she "stares into the night with the eyes of one who hates for just being born. During the final Vote for Change concert in 2004, "Racing in the Street" was performed by Springsteen and the band with Jackson Browne sharing the vocals. [7] The first verse is accompanied only by piano and opens with the narrator singing that: Max Weinberg's drum rim taps signal a somewhat faster pace for the second verse. In the original vinyl format, it was the last song of side one of the album. [7], The chord progression in the choruses and coda is I–IV–ii–IV in the key of F.[12] Springsteen uses the technique of withholding the V chord, which is only heard during the piano introduction and during a later transition; by reducing the chord's influence, the sense of longing or desperation in the song is heightened.[12]. The song has been called Springsteen's best song by several commentators, including the authors of The New Rolling Stone Album Guide. [5] Listening to it live and on bootleg recordings of radio broadcasts the following year, writer Greil Marcus said the performance of "Racing in the Street" following the tour's famed elongated presentation of "Prove It All Night" had captivated his attention and was "the only music I've felt scared to play, and scared not to.

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