The first captures the athletic young man just after he falls to the sand. The Sunbaker – Max Dupain Essay on Max Dupain for Financial Review Magazine 2008. by Robert McFarlane. But no other 20th-century photograph has gathered such critical mass and public acceptance as a symbol of Australia.For his second exposure, the young Sydney photographer focuses more intently, perfectly capturing the sculptural pattern formed by the head, arms and muscular shoulders of his friend as he rests on the beach. It would bring at least $100,000. “It was fading in an uneven way, almost as if it had been washed half in and half out of the tray,” says Andrew Bell. In an auction at Christie’s in August 2005, a Sunbaker was sold for more than $20,000 that had major problems with cracking and crazing on the print surface. It was a very sad day when I had to let it go. “I could see that in another five years it would be a lot worse.”Today, the primacy of Max Dupain’s masterpiece has eased somewhat. Website Maintenance by 681 Consulting by 681 Consulting It proved that someone wanting a quality image was willing to pay well above the odds at the time.Years later, Dupain would sometimes complain when yet another request, either for print or publication, came for Sunbaker. Dupain’s second picture is made, perhaps intuitively, from a slightly lower angle than the first, just above the sand. His images capture a long gone era in which Australian society was vastly different from what it is now. A print of the photograph was purchased in 1976 by the National Gallery of Australia in Canberraand by the 1990s it had cemented its place as an iconic image of Australi… They have something very valuable there.”Josef Lebovic, whose gallery represents both the Max Dupain estate and Dupain’s artist-photographer son Rex Dupain, says accurate reports on a photograph’s condition are vital. Ervin Gallery, The Rocks, 19 Jun 1980–13 Jul 1980. All Rights Reserved. It was one of the simplest photographs Max Dupain ever made. Colleagues who viewed the image told me that the one that brought $A1 million was in fabulous condition, faultless … Selling photography at that elite level can be affected by small variations in quality.http://www.robertmcfarlanephotos.com/home.htmlABC TV recently paid homage to Dupain’s famous image, cleverly recreating the sunbaker in a filmed sequence, adding instant visual interest to its televised arts program. By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street, Sydney. “You want to know that in 20, 30 or even 50 years’ time it is [still] going to be an excellent print. [But] Max thought some of his newer, architectural pictures would be better.“I also [once] substantially discounted one of Max’s images – a Sunbaker – due to a problem caused by poor processing. I bought it [from Max Dupain] in 1985 and only sold it recently. “When I advise people buying at auction, I ask them – have you looked at the condition of the print? 27 Jul 1992Soft Shadows and Sharp Lines: Australian photography from Cazneaux to DupainBy the late 1940s Dupain had left many of his earlier experiments behind and he wrote:Fine and mostly sunny: photographs from the collectionWe acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture.© Art Gallery of New South Wales Photography Collection Handbook, 2007Update from the Gallery regarding COVID-19 Ennis H 1991, ‘Max Dupain: photographs’, Australian National Gallery, Canberra p 1822 Apr 1911 A friend, Englishman Harold Salvage, runs up Culburra Beach, still wet from the surf, and drops to the sand to dry off. With his documentary eye his images exude quality and demonstrate Dupain's mastership of … The person who bought it didn’t notice the flaws and bought it anyway … they didn’t see it as a major problem.“It’s like anything in the photographic market.

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