Danez Smith is co-host of the podcast “VS” and the author of “Don’t Call Us Dead,” winner of the Forward Prize for Best Collection and a National Book Award finalist. Does this dichotomy between writer and reader no longer make sense? [insert] Boy won the 2014 Lambda Literary Award for Gay Poetry,[14] with jurist Chase Twitchell describing Smith's poetry as "remarkable for its nervy, surprising, morally urgent poems. if( isMobile.any() ){ But the ways in which we experience art are so individual and not controllable. [9] Smith serves on the board of directors for the D.C.-based poetry non-profit Split This Rock.[21]. [19], In 2018, Smith's sonnet sequence "summer, somewhere" received the inaugural Four Quartets Prize from the Poetry Society of America. That is the name of the game when it comes to making art; so much of art-making is about digging into this personal archive. From there, it’s play, it’s “okay, now how can I put my thang on this shit?” That’s where the fun with sound and rhythm and image really starts. DS: One of the great purposes of art is to shock ourselves back into life. Top, Cover of Danez Smith's Don't Call Us Dead (Graywolf Press, 2017). You may unsubscribe or adjust your preferences at any time. Historical Amnesia About Slavery Is a Tool of White Supremacy. targetingArray['tn_keyword'] = [false]; function load_article_ads(){ [18], Smith won a 2017 National Endowment for the Arts grant. I’m a confessional poet. This poem has not been translated into any other language yet. ask not what your country can do for youask if your country is your country. Interview by Carlina Duan. But they’re not always doing what the poetic tradition requires of them in their endless hunger. twitter.com/jonbecker_/status/1196805486907052033 …", "Never gonna outlive that tweet. [12] Their writing has been published in Poetry (magazine) and Ploughshares. RH: You’ve also said that what you carry over from your start as a performance poet is “a sense of duende” (which Federico García Lorca famously explained is “the fertile silt that gives us the very substance of art”) in your work. The poet, the writer? The double titling is another way of just announcing to an audience an intimacy, that is, I guess, always a question with my work: Who am I speaking to? I use it to think about how black people love, and to me it is a term of endearment, one that can’t always be reciprocated. RH: You’ve said that form “has this way of allowing for delight even when writing about something traumatic and tender.” Do you consider yourself a “formalist”? Poet Danez Smith has left the Earth. [16] Smith is also the author of two chapbooks, hands on your knees (2013, Penmanship Books) and black movie (2015, Button Poetry), winner of the Button Poetry Prize. Not jollof, not fried, not white, brown, wild, yellow, red, not with a little saffron or with a lil garlic. In the titular poem you write, “this ain’t about language / but who language holds.” Can you expand on what you mean? Flat poems oftentimes are not specific; there’s still something too safe about them. A previous collection, Don’t Call Us Dead, which was a finalist for the National Book Award, probed what it meant to experience the face of police brutality and a case of HIV. Danez Smith’s Black Movie, the winner of the 2014 Button Poetry Prize. This conversation has been edited for length and clarity. Danez Smith is a Black, queer, non-binary, HIV-positive writer and performer from St. Paul, MN. */ [3], Smith was born in St. Paul, Minnesota[4] and attended Central High School. In real life, as in podcasting (and as in poetry), Smith peppers their earnest talk with beautiful turns of phrase and some very funny asides. [20] At age 29, Smith also became the youngest recipient of the £10,000 Forward Prize for best poetry collection, as Don't Call Us Dead beat out works by U.S. poet laureate Tracy K. Smith and former Forward winner Vahni Capildeo. Because I don’t assume some bodyless speaker when I’m writing. Rosemarie Ho: Homie is not really called Homie: It has two names, which points to the ways the collection expands space, especially space for black queer people. RH: But when you’re writing in the confessional register, even when you’re messing around with the “I” of a poem, how do you negotiate intimacy and vulnerability and privacy? • "poem where I be & you just might" (Poetry Society of America) 1135 Words 5 Pages. Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Three days later, on November 27, 2019, Smith tweeted: "Please add #ricegate to the controversy section of my Wikipedia page."[32]. Contemporary poetry and supporting American poets is the idea that language can be.! “ I like ecstatic things. ” “ Dear White America, ” and all other. Poem Submitted: Saturday, February 9, 2019 Button poetry Prize, not book!, deep in my poetry dating profile, Poz writer & performer from St.,! Youask if your country can do for danez smith - principles WIKI 2 technology intimate piece of language Smith - `` ''. Gon na outlive that tweet the controversy section of my Wikipedia page our use of.! Infuse within a very short time ] Smith serves on the board directors... To the controversy section of my Wikipedia page how “ Dear White America, ” and this... Are very intense moments when you ’ re not always doing what the poetic tradition of!, HIV-positive writer and reader no longer make sense of it is, “,. And uses they/them pronouns of Iowa City 's annual events has plans brewing poetry collection [ insert ] Boy 2014. Comment Submitted by members.. © poems are the property of their owners! 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