Prince of wales theatre monkey prince of wales theatre monkey prince of wales theatre monkey prince of wales theatre monkey Although the circle at this theatre is pretty steep! Front row centre for £20 lottery - not bad at all. Both of these seats are under the overhang so it is not easy to see the statue at the start of each act, it still provides a great view of the stage and the sound was very good for here. Seats are quite well "staggered" to enable those in the rear rows to see around others in front of them. "Hasa Diga Eebowai" thinks the monkey, who had to work that joke in somewhere... No booking fee for bookings made more than 12 weeks in advance. Plus these seats are cheap and you feel almost in the middle! The main downside is the band drowning out around 15% of the lyrics in the bigger numbers. Neil Simon's play, Come Blow Your Horn, starring Michael Crawford, played in 1962, followed by a season of Martha Graham's dance company, including the world première of her ballet Circe. Go for it, or take D over C and F over E, J over H as the prices drop and you get similar views for less cash each time. Owned by Delfont Mackintosh, the theatre houses the Delfont Room which stages concerts and performances throughout the year. Good view but VERY high up looking down on stage and very steep rake. Also be aware of bars in the views of B42 and 43. Having said that, the refurbishment of the whole theatre is quite spectacular and the seats very comfortable." High backed, deep seats mean that legroom is improved as much through posture as actual space. The Prince of Wales is a truly beautiful theatre and definitely worth turning up earlier to have a look around. No booking fee for personal callers. It was established in 1884 and rebuilt in 1937, and extensively refurbished in 2004 by Sir Cameron Mackintosh, its current owner. Lose some of stage right action, otherwise fine. With prices the same in all side block seats in J and K, go as central as you wish, and don't forget that centre aisle seats in the side blocks have as good a viewing angle as centre block seats, so go closer rather than central, if you wish. The monkey says "you are only getting what you pay for" but uses this colour to highlight the ones it feels best at the price, and help everybody else find equally good seats nearby at lower prices. After leaving the barriers, turn to your left, and follow the curve of the barriers around until you see an exit to your right with the sign "Subway 4" over it. No neck ache in these rows despite being 4 rows from the front. ", "E 30 to 33: "The Book of Mormon": Very comfortable seats, giving a perfect view at a competitive price, and even with tall people sitting in front, the steep rake meant the line of sight was not obstructed. This was the end of the aisle. The tallest would probably find the side block seats of rows E back to L particularly uncomfortable. I was in E14 and that was a pretty much perfect seat with a ton of legroom. Copyright © 1996–2020 Again, The view is poor if you don't lean forwards - about three fifths of the stage visible without. Be forewarned about proximity to the speakers. Sound is fine here too." At this car park, parking under the "Theatreland Parking Scheme" allows a 50% discount in cost. Phipps built the Prince's Theatre for actor-manager Edgar Bruce. Apparently this means I missed a spinning statue of Jesus or something like that at the start of each act but if that’s all I'm not complaining. Comfortable and good leg room. These seats were fantastic. I paid £35 for my ticket through the Get Into London Theatre promotion in January 2012. "Row B: "The Book of Mormon" (March 2013). Utter madness. Don’t wear platform shoes! ", "E 12 and 13: "The Book of Mormon" (Paul Nicholls). The monkey would go for J 9 to 13 or 34 to 38 or row N centre first, or rows B and C to be close, it feels. ticket agencies, https://www.lovetheatre.com/theatremonkey. The first hit production at the theatre was the record-breaking comic opera, Dorothy, starring Marie Tempest, which was so successful that its authors used the profits to build the Lyric Theatre, where it moved in 1888. Location is amazing. The theatre re-opened with ABBA's musical Mamma Mia! (I only read this afterwards). In 1943, Strike a New Note was notable for Sid Field's London debut, and he returned to the theatre in Strike it Again (1944), and yet again in Piccadilly Hayride (1946, a revue that ran for 778 performances). 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