At the time of reporting, 23 animation television programmes went into production in the UK in 2019, with a spend of £39.3 million. Official figures published today by the BFI’s Research and Statistics Unit reveal the highest spend ever on film and high-end television production in the UK in 2019. share. Inward investment films made in the UK during 2018 include Sam Mendes’s 1917, Cary Joji Fukanaga’s No Time To Die, Cate Shortland’s Black Widow, Antoine Fuqua’s Infinite, Craig Gillespie’s Cruella, Andy Serkis’s Venom 2, George Clooney’s Good Morning, Midnight, Tim Story’s Tom and Jerry, Daniel Espinosa’s Mobius, Robert Zemeckis’s The Witches, Chloe Zhao’s The Eternals, Guy Ritchie’s Cash Truck, Christopher Nolan’s Tenet, Kenneth Branagh’s Death on the Nile, Will Sharpe’s Louis Wain, Danis Tanovic’s The Postcard Killings, Matthew Vaughn’s Kingsman; The Great Game, John Madden’s Operation Mincemeat and Tanya Wexler’s Jolt. 21 studio-backed films accounted for 71% of the total spend on all production. Last year, Disney brought in domestic box-office receipts of $3.1 billion, including $136 million from holdovers released in 2017, giving it 26% market share… © IMDb.com, Inc. or its affiliates. What You Gonna Do When the World's on Fire? [OC] Box office market share of comedy movies in comparison with action and adventure movies in U.S. from 1995 till 2019. Conditions of Use The inward investment data also reveals a notable influx of 29 Indian productions being made in the UK with a collective spend of £103.3 million including Mysskin’s Thupparivaalan 2, Amarjit Singh’s Jhalle, Sharan Art’s Galwakdi and Amrit Raj Chadha’s Parauhneya Nu Dafa Karo. and However, this picture doesn’t reflect the fact that films being made by home-grown are attracting international finance and are therefore classified inward investment, eg Sam Mendes’s 1917 and Andy Serkis’s Venom 2. : God's Blessing on This Wonderful World! Hand-picked. 8 minutes ago [OC] Box office market share of comedy movies in comparison with action and adventure movies in U.S. from 1995 till 2019. For domestic high-end television production, the spend of £371.7 million represented a decrease of 14% on 2018. The growth in volume of high-end television productions in 2019 included inward investment and co-productions such as Jon East’s Cursed, Gina Prince-Bythewood’s The Old Guard, The Crown (series 4), Lenny Abrahamson’s Normal People, Andrew Haigh’s The North Water, Michaela Coel’s Jan 22nd, Armando Iannucci’s Avenue 5, Lena Dunham’s Industry, Tom Hooper’s His Dark Materials (series 2), David Moore’s Outlander (series 5), Owen Harris’s Brave New World, Ben Wheatley’s Rebecca, Charlotte Bruus Christensen’s Black Narcissus, Tom Shankland’s The Serpent, Julie Ann Robinson’s Bridgetron, The Spanish Princess (season 2) and The End of the F***ing World (series 2). Adrian Wootton OBE, Chief Executive of the British Film Commission and Film London, said: “. International | Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally. Leading the box office was Avengers: Endgame, which took over £88.7 million, followed by The Lion King (£76.0 million), Toy Story 4 (£66.2 million), Joker (£58.0 million) and Star Wars: The Rise of Skywalker (£54.9 million). Box Office: ‘Tenet ... Universal, which fielded “Jurassic World,” “Furious 7,” and “Minions,” commanded 22% of the market share and earned a massive $6.8 billion globally. Ten of the year’s top 20 performing films at the UK box office were UK/USA productions being made in the UK (including Last Christmas which was developed with BFI National Lottery funding) using the UK’s facilities, talent, crew and locations, again demonstrating the strength of the UK as a global production hub, making films that export worldwide. company. OC. News | under which this service is provided to you. Within this figure, domestic film showed a greater drop in spend with £174.7 million, reflecting a decrease of 45% and demonstrating a shifting industry eco-system for domestic production. lost butterfly, Code Geass: Lelouch of the Re;Surrection 2019 Re-release, Love Live! Home >> Service Industries >> Global Box Office Market 2018 by Manufacturers, Countries, Type and Application, … Box Office Mojo and IMDb are trademarks or registered trademarks of IMDb.com, Inc. or its affiliates. Hollywood's Box-Office Market Share Down Sharply in China . 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