If you take La Coka Nostra for example, that was a project for fun, we did it for fun for close to three years. So we’ve practically been doing it. And when people stopped buying records, I embraced playing live as more of a way to make a living, and just that constant activity of playing live makes you write music more. I’ve scored a show and got nominated for an Emmy a year ago. I just thank God for publishing and the fact that I can play live, cause that’s where you make your bread now. Reality Check: THE WEEK TRUMP GOT COVID-19, Reality Check: R.I.P. Are the three of you ever going to release anything as House Of Pain again? Everlast spoke about the string of shows they’ll be playing (including Atlantic City on St. Patrick’s Day), the reasons for their original dissolution and the changes he’s seen in the music world since he first put out For Everlasting as a solo artist back in 1990. They’re already on La Coka. We bust his balls all the time. When House Of Pain dissolved, there was a general feeling that there were issues with the perception of the group, where the group was, you had some personal issues, discovered Islam. I saw KRS-One and Redman do a show once and you thought Redman was going to open for KRS, and you showed up and they actually just went song for song. Now it’s completely different. From now until then, I’m in my studio just trying to record another record. The thing I don’t like about it nowadays is I have to be on Twitter and Facebook and a blog and all this. You couldn’t have told me I was going to make any more records after that. I’m going out as Everlast in Europe and I’m doing a little festival run of all the summer joints. We have to understand. So, they’ve actually been back together for a while. The last record, we went back and forth, sending stuff city to city. We hit Russia and a few places I’ve never even been in my life, so I’m excited about that. Having taken time off from rap after the break-up of House of Pain, Danny Boy took to working in video production and fashion as well as mentoring other artists. This is the straw.’ It was just like, ‘Are y’all as unhappy as I am? I hear the music all the time. STEPHEN,” FIRST SINGLE FROM SECOND LP OF GRATEFUL DEAD COVERS. I also don't think that Everlast was taken as negatively here, but I still could be wrong, because I vaguely remembered how that thread did in … It’s already past the 20 year mark for me (laughs). I’m not saying that’s exactly what I’ll do, but that’s what I’m kind of in a process of figuring out now. It’s not in my plans, but I don’t plan things on the same note. He’s a Russian guy anyway. House Of Pain performs at the House Of Blues in Atlantic City on March 17 and Nokia Theatre in NYC on March 18. houseofpain.com. Founded in late 2004 with no intention to record an album, La Coka Nostra was more a loose collective of artists connected through Danny Boy than a group. (laughs). This isn’t going to turn into all kinds of House Of Pain shows. So by the time you hit 25 and you got a shitload of money in the bank, you and your three friends, everybody’s like, ‘You can’t tell me shit.’ You just get that young attitude of, ‘Well, fuck you then.’, The money and the business gets in the way of everything. Even if one ignores deep album cuts like “Shamrocks & Shenanigans,” their collaboration with Helmet for the Judgment Night soundtrack or the successful sophomore effort Same As It Ever Was, you can point to frontman Everlast’s massively successful solo single “What It’s Like” or DJ Lethal’s involvement in another band of note, Limp Bizkit. He did a majority of the album this time, kind of similar to the very first album that we did. I still what I do pretty well. All we did was release music for free. You’re opening for yourself, theoretically. The money. Literally, every day I’m here re-learning songs. Kind of. I have to give you more than music now, which is odd to me. Eventually it turned into more of a group effort including the former members of House of Pain and Ill Bill Later, Bill talks about how he has changed over the years, if Everlast will be on the La Coka record, and an Ill Bill solo project? Landmark albums like The Chronic, Enter The Wu-Tang and Ready To Die came out only a few years after pop rap singles like “U Can’t Touch This” and “Ice Ice Baby” dominated the music video-driven market. I was like, ‘Oh man, it’s over.’ Luckily I had some good friends that were like, ‘Dude, let’s make music.’ And the next thing I knew I was working on the Whitey Ford Sings The Blues record. 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