Zuletzt arbeitete er mit an dem spanischen Film El negro que tenía el alma blanca (Der Schwarze mit der weißen Seele, 1926) von Benito Perojo, für den er eine Szene gestaltete, in der die Darstellerin Concha Piquer von einem gigantischen Affen träumt. Das wichtigste Opus dieser Epoche aber war El hotel eléctrico (Das elektrische Hotel, 1908). Segundo Víctor Aurelio de Chomón y Ruiz (Teruel, 17 ottobre 1871 – Parigi, 2 maggio 1929) è stato un cineasta spagnolo, pioniere del cinema nel suo paese e a livello internazionale, e innovatore delle tecniche cinematografiche. Shortly afterward, Zecca moved into an executive position at Pathé and did little direction from that time; Chomón's most productive years as a filmmaker lasted from 1907 to 1912, a period during which Méliès' production went into a steep decline. Der Flächenbrand der Kampfhandlungen löste eine tiefe Krise der Filmindustrie aus, was vor allem auf die rasant gestiegenen Preise des Zelluloids zurückzuführen war. Ein weiterer wichtiger Film war Una excursión incoherente (Eine nicht ganz kohärenter Ausflug, 1909), welcher unter dem Einfluss der Pariser Avantgardegruppe der „Inkohärenten“ entstand, Vorläufern der Dadaisten und der Surrealisten. Dieses System wurde später vom Hause Pathé unter dem Namen „Pathécolor“ patentiert. Segundo Víctor Aurelio Chomón y Ruiz (* 17. Herausragend war vor allem seine Arbeit an Cabiria (1914), wo Chomón als Trickspezialist und erstem Kameramann eine bedeutende Rolle zukam. Brad Pitt and Keira Knightley both scored early roles in scary movies. Looking for some great streaming picks? [1] Charles Pathé also noted the quality of Chomón's trick films and, from 1903, began to support these efforts with the desire of competing with Georges Méliès. Zwischen 1895 und 1897 unternahm er eine Reise nach Paris. In jenem letzten Film setzte er eine bewegliche Plattform für Kamerafahrten in Innenräumen ein. Chomón relied extensively on animation, a field in which he was a pioneer and a technique Georges Méliès seldom, if ever, used. Segundo de Chomón war ein detailbesessener technischer Perfektionist, der oft monatelang an einzelnen Effekten arbeitete, die im fertigen Film manchmal nur wenige Sekunden dauerten. „Zusammenstoß zweier Züge“). 1902 ließ er sich in Barcelona nieder und eröffnete eine Werkstatt auf der Basis seines Färbungssystem. Dank eines Monopols für Filmmaterialien handelte es sich bei den Gebrüdern Pathé um die wichtigsten Filmproduzenten der damaligen Zeit. Chomón and his wife also specialized in producing stencil colored film prints and were one of the developers of the Pathéchrome process, patented by Pathé in 1905. Moreover, Chomón offered slight improvements on some techniques that Méliès already had tried, such as in Les Kiriki, acrobates japonais (1907). Für diese Filme entwickelte er neue Techniken, indem er Animationen mit Hilfe von Zeichnungen und Modellierungen aus Tonerde einsetzte. Dort zog er sich eine Krankheit zu, an welcher er im folgenden Jahr in Paris verstarb. In 1901, Chomón began producing actuality films in Spain on an independent basis and distributing them through Pathé; his first trick film was Gulliver en el país de los gigantes (1903). Towards the end of his life, Chomón collaborated with Swiss inventor Ernest Zollinger (ex-Pathé, ex-Itala Films) to develop a photographic, two-color color film process. Diese Seite wurde zuletzt am 13. In addition to his own films, he worked on special effects on the films of others, notably Giovanni Pastrone's epic Cabiria (1914). In 1902 he became a concessionary for Pathé in Barcelona, distributing its product in Spanish-speaking countries and managing a factory for the coloring of Pathé films. Entstehungsjahre der spanischen Filmindustrie (1910–1912), https://de.wikipedia.org/w/index.php?title=Segundo_de_Chomón&oldid=185657057, Wikipedia:LCCN in Wikipedia fehlt, in Wikidata vorhanden, „Creative Commons Attribution/Share Alike“, spanischer Filmregisseur und Trickspezialist. Biografía de Segundo de Chomón; Curso actual. The very year that Chomón died, the Surrealists organized a soirée that would rehabilitate the artistic reputation of Georges Méliès and to begin the long process of recovering his films. Finally, recognition came to Chomón in his home country, as the Filmoteca de Catalunya established a special division with the purpose of collecting and cataloguing what was left of his output; a DVD collection in PAL format with 31 films,[6] Segundo Chomón: Le Cine de la Fantasia, was released by the Filmoteca in 2010. Segundo Víctor Aurelio Chomón y Ruiz, conocido como Segundo de Chomón (Teruel, 17 de octubre de 1871-París, 2 de mayo de 1929), fue un cineasta español. Many of de Chomon's Parisian Pathé Frères films have been recovered, but his Spanish and Italian productions have proven more elusive. Destacó como director pionero del cine mudo y técnico de trucajes en películas como Cabiria ( 1914 ), de Giovanni Pastrone —conocido por su seudónimo Piero Fosco —, o Napoleón ( 1927 ), de Abel Gance .

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