She looked them up. But the heist film has always been a beloved Hollywood staple: The original Ocean’s 11, which starred Frank Sinatra and his Rat Pack cronies, hit theaters in 1960, and it’s just one example of a crime film that’s been remade over the years. You should revisit this. And as with many of his future works, Bottle Rocket isn’t all that invested in the scheme itself — it’s more invested in the gentle existential crises and wry observations about the pain of modern life, which have always been the emotional centerpiece of his movies. But what makes Dog Day Afternoon resonate is Lumet and his cast’s ability to erase the line between these fools and us — Pacino’s one-terrible-day desperation humanizes his character’s neediness and growing panic, putting the audience in the bank with him as he tries to tap-dance his way out of disaster. Remember: Aristotle was not Belgian. In hindsight, Bottle Rocket really does feel like Anderson working with the training wheels on, which gives the movie a charming innocence. (Screenwriters David Newman and Robert Benton were hugely influenced by Godard’s Breathless.) It established the ensemble cast of George Clooney as Danny Ocean, Matt Damon as Linus Caldwell, and Brad Pitt as Rusty Ryan. Ocean and his crew plan to rig a new casino's opening night to inflict ruinous losses after its ruthless owner Willy Bank (Al Pacino) double crosses one of the gang, with plans to make his life a worthless cesspit of misery, a figurative Tartarus of unending misfortune which needs no explanation apart from a vengeful crew of incredibly skilled thieves. © 2020 Vox Media, LLC. Funnier than you remember, but also sadder, Bonnie and Clyde made the heist film feel like freedom —which, as Janis Joplin would later sing, is just another word for nothing left to lose. Jason Statham stans the world over have now spent a decade pointing to this movie as proof that our faith in the man as a legitimate dramatic actor wasn’t misplaced. (The movie really should have just been called MacGuffin.) Leo escapes his cage and frees other humans. Those are all mistakes, Otto. Our favorite bit in this movie is when Dom and company steal a bank vault and have to drive it around the city using multiple cars, essentially turning a chase scene into a complicated physics problem. “They tend to be glamorous and deliberately superficial. Please read our updated Privacy Notice and Terms of Use, effective on December 19, 2019. So, for example, the crime spree itself is perhaps more entertaining in Fantastic Mr. Fox than in the Wes Anderson film we chose, but the former isn’t really thought of as a “heist movie.” Our choices span several decades and aren’t all in English — most are thrillers, although a few are comedies. Soderbergh and George Clooney initially downplayed the possibility of an Ocean's Fourteen or subsequent sequels after Bernie Mac's death in 2008. While selecting the 25 best heist films, we leaned heavily on the importance of the heist(s) to the movie’s plot. It’s hard to talk about Bonnie and Clyde’s impact without lapsing into dull Movies That Matter stridency, but that goes away as soon as you start actually watching the film. at the end can feel a little gimmicky when you know it’s coming. Reuniting with their Butch Cassidy and the Sundance Kid director George Roy Hill, Newman and Redford play con men out to ruin a contemptible gangster (Robert Shaw), devising an elaborate scam with plenty of twists, turns, contrivances, and double crosses. Kevin Kline may have won an Oscar for playing a dumb guy — Otto, the ultimate ugly American, so ugly he’ll eat a guy’s fish right in front of him — but the fun of A Fish Called Wanda remains that everyone else is so smart. As with all of Wright’s movies, Baby Driver is a pastiche of a hundred thousand other cool films, but its almost-musical approach to the heist film is consistently kicky, complete with the kinds of double crosses, plot twists, and big payoff that the genre demands. John Cleese’s Archie Leach sees everybody’s angles, even as he keeps leaping heart-first into the middle of the ongoing crime caper.

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